A subject that might possibly be amongst the most mysterious and most debatable…the crystal skulls. These skulls have launched a lifetime of fascination, debate, scrutinization and even a very cool movie recently released. Of course there’s also been numerous documentarys as well as other not so well done movies from past years. Since the first debatable discovery of the crystal skull found by British explorer F. A. Mitchell-Hedges, who claimed that his daughter unearthed it in 1924. Mitchell-Hedges led an expedition in the ancient Mayan ruins of Lubaantun, in Belize. Of course it was released later on that the discovery and the details were fabricated. Even though, the entire mythos behind these skulls are very interesting!
There are 13 skulls that are rumored and believed to have been created by extraterrestrials or beings in Atlantis or Lemuria. One elaborate theory maintains that the skulls were left behind by a sophisticated Inner Earth society which lives at the hollow center of our planet, and there are thirteen “master skulls” which contain the history of these people. Now while I personaly do not believe that these skulls were created by ET’s, or some advanced race from beyond the stars, I do believe however, that these skulls were created by a once proud people called the Aztecs simply because they were very adept at working with crystal. And also given the fact that the Aztecs were a very religious people of whom took their religion very seriously to the point where the Aztecs would most assuradly have passed the skull crafting down through the generations and so on to keep their traditions very much alive for future generation of worship and devotions.
A few of the mystical crystal skulls:
A few of my personal thoughts as to what the crystal skulls were meant for and what others have said about this subject…
Although there are so many claims that these skulls have done everything from healed the terminaly ill to have braught on visions of the future, visions of long dead rituals as done by the Aztecs and not to mention had also supposably opened gateways to other dimensions etc., I believe that the crystal skulls were nothing more than an achievement in skills honed over decades in working with crystal to show a level that had been reached in conjunction with their devotion to their gods. While I still feel that there are some very important peices of information that are lost over the centuries that would reveal the true nature of these skulls, I still do believe that the Aztec people had used pure skill, not mystical means to form these magnificent crystal skulls.
As for all of the claims of majical results of the skulls when held and so on, there are a great many people who want the sensationalism and will exploit the tales of majical interactions just to gain noteriaty in order to gain fame, wealth and so on. Now just perhaps the exact nature of these skulls are indeed much more intricate than anyone could imagine and the all of the tales of apocolypse that are to come when all of the skulls are braught together and certain rituals are performed, then the inquisative nature of the human beaing will eventually find out if it is true or not.
Are these skulls the result of advanced alien technology because of the disputed need for advanced tech needed to form these skulls, that were not present back in the day of the Aztec or Myan? Perhaps. Perhaps not. Or just maybe it was once again all skill that was honed and passed down over the decades. I opt for the latter. The former is fantastical and sparks every sci-fi lovers imagination.
Again…is this skull below the outcome of advanced alien technology, or the outcome of years and years of very high quality craftmanship? You be the judge.
What has been said about these crystal skulls:
The Crystal Skull Enigma
by N Charles C. Pelton
In the realm of ancient artifacts there are few antiquities that are as thought provoking as the carved quartz crystal skulls. Very little is known about these ancient wonders of the world, largely due to the fact that so few of them exist which are accessible to the researcher. In the last few years, interest has risen intensely in these works of antiquity. For many years, when the subject of the crystal skulls was discussed, few people were aware of the fact that the Mitchell- Hedges skull was not the only crystal skull known to man. It may have been the most perfectly carved, even viewed by more people throughout the world than any other skull, but, certainly not the only skull. In fact, there are many skulls in various locations around the world which range in size from a few pounds, or softball sized, to over forty pounds.
Only a few crystal skulls have been expertly authenticated as ancient. Many have been carved within the last five years. Presently, the accepted authentication by which a carved skull can be termed ancient is through a complicated process of casting a mold of the skull and placing it under an electron microscope to examine the minute markings left by the carver. These markings are the clues by which the age of the carving is determined. The telltale pattern of the marking will verify what method was used to carve and polish the skull; thereby, the antiquity expert is able to confirm the age based on methods used on other known works which range from the ancient to the very contemporary. By comparing these various methods with those of the crystal skull, a time-line is developed which will place the skull along that line.
The widely known Mitchell-Hedges skull, located in Canada, one of the most beautiful skulls I have had the pleasure of seeing, is now shrouded in controversy. It is presently suggested that the skull is not ancient, but a work of more recent times, perhaps orchestrated by F.A. Mitchell-Hedges, himself, to promote interest and financing for his adventures. Coined The Skull of Doom’, by some associates of the adventurer, actually a misnomer for a term used in the 1930s, The Skull of Dunn. Dunn was an associate of F.A., on the expedition to Luubantun, in 1927, which is when young Anna Mitchell-Hedges, then age 17, reports she found the skull in the ruins of a temple.
The Museum of Man, in London, contains a crystal skull which is called the Aztec Skull. It is no longer on display in that museum. Museum personnel as well as visitors claim the skull moves on its own within the glass case in which it is enclosed. It was acquired by the museum at the turn of the century from an antiquity dealer in New York.
The Paris museum of Man also contains a crystal skull called The Aztec Skull, which is no longer on display. Both the Paris Skull, and the British Skull are much smaller than the Mitchell-Hedges skull, and not nearly as perfectly carved or as clear.
In more recent times, several quartz crystal skulls have appeared. Some are suggested ancient by their owners. Extensive examinations of these skulls have, however, determined many are not ancient at all. It is not certain as to the origin of these imposters. In the early 1980s, a human-sized quartz crystal skull surfaced in Texas. It was in the possession of Norbu Chen, a Tibetan healer. The skull was given to Carl and Jo Ann Parks to satisfy a debt. The skull was placed in a cosmetic case and stored on the floor of a closet in their Houston home for several years. It was while Jo Ann Parks was watching television that she realized that her skull may be an important artifact.
The program was about the Mitchell-Hedges skull, and F.R. Nick Nocerino, a world-renowned expert in crystal skull research, was a guest on the show. After viewing the program, Jo Ann, contacted Nocerino, upon which he traveled to Houston from his home near San Francisco to examine the skull. He determined that the skull was authentic and that it was ancient. He had indeed been aware of the existence of the skull, but had not been able to determine its location. Soon after Nocerino’s visit, Jo Ann, after several discussions with the rock, as she fondly referred to it, was told its name was Max.
Also in the mid 80s, Joke van Dieten Maasland, who presently resides in Miami Beach, Florida, acquired a smokey quartz crystal skull from a dealer in Los Angeles. It was reported that this skull had been in the possession of a family in Guatemala, whose parents found the skull in1906, while excavating a Mayan Temple. Joke credits the skull, which she calls E.T., as instrumental in a personal healing of a brain tumor. She shares the story in her book, Messengers of Ancient Wisdom.
In early 1990, a skull weighing more than 40 pounds, which was carved from rock quartz crystal but hollowed out, was donated to the Smithsonian Institution, in Washington. There was little or no documentation as to its authenticity. Since there was no documentable evidence of the age or origin of the skull, the curator determined not to place the skull in the museum for viewing until its authenticity was established.
During a lecture tour in Mexico many years ago, Nocerino was invited to a location in Guerro Provence, to assist in locating the buried ruins of an ancient city. It was during this visit that Nocerino provided the information as to the location of what he thought was an ancient temple. (Due to the current political situation in Mexico, the safety of those currently involved with this excavation would be compromised should I reveal the exact location of the excavation, or the name of the city.) Excavation of that location later revealed several carved crystal artifacts. Among these artifacts were two crystal skulls, one of which is currently owned by Nocerino, which is 13 pounds 3 ounces and is carved of clear quartz crystal. Nocerino calls the skull Sha-Na-Ra, in memory of a Shaman Healer he once knew. The second is currently owned by DaEl Walker, a well- known crystal researcher and author of several crystal healing books. It is smaller than Sha-Na-Ra, about 9 pounds, also quartz crystal. DaEl calls it The Rainbow Skull, due to the rainbow of colors that dance through the skull when in the natural light.
There were many other artifacts found at this location. Several small carved crystal skulls, half skulls which were hollow and a very rare and powerful item we call The Jaguar Man. It is five inches high, two inches in diameter and is carved of quartz crystal. It depicts the head of a Jaguar, with the head of a man in its mouth. The facial features of the man do not appear Mayan. This piece is currently owned by me, and is being exposed to extensive research. Excavation continues in this area and additional finds are expected.
The Pelton Foundation of Applied Paranormal Research, The Institute of Psychic and Hypnotic sciences and The Society of Crystal Skulls, International, launched a research project and video documentary which included the Rainbow, Sha-Na-Ra, E.T., Jesuit, Max, and the Agate Chip skulls. Members of the various organizations who were expert in the field of psychometry, scrying and gazing were brought in to work with the skulls in an attempt to learn more about the skulls using these methods. It would be the first time in recorded history that more than two authentic carved quartz crystal skulls would be together in one room at the same time.
Our project included X-rays, to determine if any were broken or had been more than one piece and glued together, laser light penetration, and startling close-up video of the skulls. The results of phase one of the project can be viewed in our production Skull Trek: The journey of the Crystal Skulls. This production also includes information and photographs of 16 additional crystal skulls, such as the Mitchell-Hedges, Paris, British, Marin, San Jose and Amethyst skulls to mention just a few. Portions of the scrying sessions are also provided.
Psychometry and scrying provided glimpses of the past and wonderful scenarios of ancient ceremonies. A connection with the fabled Atlantis was also brought out during one of the sessions. What were these magnificent objects used for? Who carved them? Is it possible that contemporary society can make use of their wisdom for physical and mental healing? Further research may provide the answers. Perhaps it will provide only more questions!
During my personal research with the skulls, I stumbled upon a phenomenon that I am continuing to pursue. While working with the skulls, performing scrying, I was using various colors and sounds. I placed the skull on a small light box and alternated several colors over the light source opening. After recording my sessions over a period of several weeks, I began a review of the results. I was shocked to learn that when I used a certain color over the light source it seemed to activate a time period. Researching my results further, I determined that each time I used the same color blue, for example, that I would revert to the same time frame. I could almost pick up where I left off at the end of the previous session that I used the particular color. The energy that these skulls produce is staggering. Are they indeed holding the knowledge of mankind? Were they left by an extraterrestrial intelligence? The ages of some of these skulls are estimated to be 100,000 years old. Without ancient documentation, psychometry may be the only tool that can be utilized to obtain the information. Our research continues daily.
In April of 1996, The BBC, in association with the British Museum and Everyman Productions, of London, performed tests on several crystal skulls to determine the age of the caning through electron microscope. Nick Nocerino was invited to bring Sha-Na-Ra. Carl and Jo Ann Parks were invited to bring Max. The British museum offered their Aztec skull and the Smithsonian Institution was invited to bring their 40-pound skull. Also included was a skull from Guatemala, an ancient gold and silver plated reliquary cross which rested in a carved crystal skull and a small skull. Anna Mitchell-Hedges was also invited. However, she declined.
A documentary was produced of the tests by the BBC. The results were shocking to the museum staff. It was determined that the British skull and the Smithsonian skull were not ancient, but in fact carved using very contemporary methods from the 1800s. Sha-Na-Ra and Max were also examined. While the officials of the museum would not publicly comment as to the results, it was confidentially revealed, by the antiquity expert brought to the museum by its officials, that the method used to carve Max and Sha-Na-Ra, was used more than 5000 years ago! The skull in the British museum was a fake. The Smithsonian skull was a fake. The Mitchell-Hedges skull? Well, we wonder why Anna declined. Her only comment was that it had been tested enough in the past. The BBC aired their documentary in July, 1996 and will be aired by U.S. television, however, no date has yet been set. In a letter to me from Everyman Productions, in London, it was reported by the BBC that they had never aired a program in this series with a larger audience.